OpinionNagaland beyond even the post-truth condition

Nagaland beyond even the post-truth condition

Recovering the Civilisation Before Politics.
The recent launch of the Unified Covenant Party (UCP), following the merger of the Rising People’s Party (RPP) into the Naga People’s Front (NPF), has once again stirred curiosity, scepticism, and debate across Nagaland.
New political parties promise cleaner government, stronger leadership, and a different future. Whether they succeed remains to be seen. But their emergence invites a deeper question. Do we simply need more political parties, or do we need to recover the civilisation upon which politics itself depends?
Roads matter. Jobs matter. Corruption matters. Development matters. We should talk about all of them. But before any of them comes another question: What kind of society makes good politics possible? Politics is the visible expression. Civilisation is the invisible foundation. Governments inherit the moral habits of a people long before they have any chance of shaping them.
One of the dangers of the post-truth era is that identity begins to matter more than truth. We stop asking, “Is it true?” and begin asking, “Is it our truth?” Loyalty starts to outweigh evidence. Emotion becomes more persuasive than reason.
The real danger is not simply that people lie. It is that we slowly stop asking whether something is true, so long as it confirms what we already believe.
Nagaland is not immune to this temptation. We speak often of unity while living with political fragmentation, tribal loyalties, denominational divisions, and numerous armed factions claiming different visions of the same future. Different communities will naturally have different experiences.
The question is whether we still believe there is a shared truth to which all of us remain accountable. Democracy does not require everyone to think alike.
It does require a common commitment to seeking truth together.
More than two centuries ago, the English poet Samuel Taylor Coleridge captured a paradox that feels remarkably modern:

Limhachan Kikon
Duncan Bosti

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